Paddy Japaljarri Stewart (30 June 1935 – 30 November 2013) was a Walpiri speaking Australian artist from Mungapunju, south of Yuendumu. Chairman of the Warlukurlangu Artists Committee, Paddy Stewart was one of the artists who contributed to the Honey Ant Dreaming mural on the Papunya school wall in 1971, said to be the genesis of the modern Australian First Nations art movement.
Wikipaedia goes on to state in Tjapaltjarri’s own site: “The people of Yuendumu in the early 1980s began transferring their traditional ochre ground paintings to canvas, and then to the doors. In 1983, Stewart along with four other artists painted 30 of the Yuendumu school doors with Dreaming designs, creating what became known as the
Yuendumu Doors. The painted doors were also intended to remind the Yuendumu schoolchildren of a web of sites and obligations extending across their country. The entire series of Yuendumu Doors was acquired and restored by the South Australian Museum after the school was upgraded in 1995. Twelve of the best doors were selected for a travelling exhibition that toured Australia for three years; the Yuendumu Doors are now at the South Australian Museum.
In 1985 the Warlukurlangu Artists Association was established in Yuendumu, and the cooperative held its first major exhibition that year. In May 1989, Stewart travelled to Paris to create a painting at the Centre Georges Pompidou.
In 2004 Stuart Macintyre wrote in a A concise history of Australia that Stewart recorded his testimony in his own language in 1991. “He evokes the continuity of dreaming from Grandfather and father to son and grandson, down the generations and across the passages of time; yet the insistence on the obligation to preserve and transmit his three jukurrpass attest to the corrosive possibility of secular change. He goes on to aver that the maintenance of Dreaming has to be really strict’, so that his family will not lose it like paper, or throw it away or give it away to other families.