Skip to content
  • Home
  • Art Tours
    • Palya Art Tours
    • Next Art Tours
    • Maps
    • Booking Information
    • What to Bring
    • Suggested Reading
    • Testimonials
  • Online Gallery
    • Sales Gallery
    • Terms of Sale
    • Selling Your Artwork
  • About
    • Palya Art
    • Helen Read
    • Palya Meaning
  • Archive
    • Palya Art Tours
    • Palya Art
  • Past Sales
  • Contact
Palya Art
  • Home
  • Art Tours
    • Palya Art Tours
    • Next Art Tours
    • Maps
    • Booking Information
    • What to Bring
    • Suggested Reading
    • Testimonials
  • Online Gallery
    • Sales Gallery
    • Terms of Sale
    • Selling Your Artwork
  • About
    • Palya Art
    • Helen Read
    • Palya Meaning
  • Archive
    • Palya Art Tours
    • Palya Art
  • Past Sales
  • Contact
Palya Art

Click image for expanded view

Mick Jawalji ‘Langgurnel’
Mick Jawalji
Painting title 'Langgurnel'
Natural ochres and pigments on plywood, 800 x 600 mm
SOLD
Date created 2007
Warmun Art Centre catalogue no. WAC 576/07
Gija, Andajin language speaker
Artist dates 1920-2012
An aerial view so may be hung in all directions

Mick Jawalji ‘Langgurnel’

  • HelenHelen
  • October 23, 2024

Mick Jawalji was born at Yulumbu, in western Gija country, around 1920, just before the establishment of Tableland cattle station. Yulumbu is the Gija name for the place where the Tableland station airstrip lies. Jawalji is the senior traditional owner of the Bangurr region of Western Gija country. Bangurr is the name of the huge flat topped hill, on the way to the Tableland homestead. Bangurr is known as Black Person Hill in English. Jawalji’s father was one of the main workers who built the Tableland station homestead. Jawalji grew up on Yulumbu and learnt stockwork. Like most old Aboriginal people in the Kimberley he worked with cattle, mustering and droving. As well as being headstockman, he was a renowned horsebreaker. Jawalji and his stockmen drove cattle from Tableland to the Glenroy meatworks and as far away as Derby and Wyndham. While he was living and working in his country, Jawalji learnt about all the places in that country. He learnt the stories of these places and the meanings of the rock paintings found there. Each wet season he and his people would meet to pratice law, sometimes walking as far as Mt House station. This helped maintain their country and culture.

Jawalji also spent a number of years working on Mornington, a station west of Yulumbu. He lived with the Andayin people and learnt Andayin law and culture from his stepfather and mother. Source: Short Street Gallery Broome.

Exhibited
Queensland University of Technology (QUT) show ‘Traversing Borders’ Art from the Kimberley’ 30th November 2013 – 2nd March 2014Mick Jawalji

ENQUIRE ABOUT THIS ARTWORK

Sign up for Palya Art’s mailing list

 

Image Home Page:  Left, 'Larrakitj' Hollow Logs by artists Djirrirra Wunuŋmurra & Nawurapu Wunuŋmurra  from East Arnhem Land. Right, 'Lorrkon' Hollow Logs and sculptures by artists from Maningrida in Central Arnhem Land.

Contact Details

Palya Art & Palya Art Tours
P.O. BOX 108 Parap Northern Territory 0804 Australia
[email protected]  +61 (0)418 137 719

Socials

Established 1986  Copyright 2024

Website Disclaimer   Website Copyright

×